Multi-camera coverage cut to the downbeat. From jazz rooms to arena floors.
Kansas City has a live music culture that runs from intimate venues in the Crossroads Arts District to arena floors at T-Mobile Center. We built our live event coverage for all of it. Multi-camera setups that capture the stage and the crowd simultaneously, board feeds for broadcast-grade audio, and aftermovies that put viewers back in the room.
Whether you are producing a festival, a headline show, or a corporate entertainment event, the deliverable stack is the same: a cinematic highlight film, vertical cutdowns for social, and the raw multi-cam files if you want them.
We recommend booking 30–45 days in advance. Concert production requires coordination with your FOH engineer, venue credential access, and stage plot review — all of which take time to do properly.
A direct board feed is the difference between phone audio and a real performance film. We coordinate with your FOH engineer before doors open.
Minimum two cameras; most shows run three to four. Stage, crowd, and concourse all covered simultaneously.
The film that makes next year's tickets sell themselves. Delivered with vertical cutdowns for social and the full multi-cam files.
Yes. A direct board feed is standard in our concert package and we coordinate with your FOH engineer before doors.
Minimum two. Most concert shoots run three to four cameras depending on venue size.
Yes to both. We have covered rooms from 200-seat clubs to arena floors.
We recommend booking 30–45 days in advance. Concert production requires coordination with your FOH engineer, venue credential access, and stage plot review — all of which take time to do properly. Reach out even if your date is sooner.
No. We specialize exclusively in corporate events, concerts, and live entertainment.
We require 48 hours notice to reschedule without penalty. Deposits are non-refundable but fully transferable to a new date. Full cancellations within 7 days of the event are subject to the full project fee.
Yes. We cover regional concerts and live events within a two-hour drive — St. Louis, Wichita, Columbia, Tulsa, and Des Moines. Travel fee is quoted per project.
We carry redundant cinema cameras, backup audio recorders, spare bodies and lenses, and a backup DI box and audio interface so a board feed failure never means a silent film.
Yes. Send us your set list, stage plot, and priority moments — opening number, special guests, crowd moments — at least two weeks before the show.
Sony FX6 and FX3 cinema cameras alongside Blackmagic Pocket Cinema Camera 6K, with E-mount glass for low-light performance environments. Audio via direct soundboard feed plus Rode and Sennheiser ambient mics. All footage is 4K or 6K capture.
Yes. Every concert project begins with a written agreement covering scope, deliverables, usage rights, and payment terms.
Yes. Daily rates are available, and we can deliver per-day recap edits for social promotion while the festival is still running.
A recap is a 90-second to 3-minute highlight cut for social and marketing — fast cuts, crowd energy, peak moments. A full concert film is a complete multi-camera documentary, typically 8 to 20 minutes, capturing the complete arc of the show.
Via a private download link on Frame.io or Google Drive. Files remain available for 90 days. USB delivery is available on request.
Yes. Raw multi-camera files are available as an add-on. Priced per camera per day.
Tell us about your Kansas City concert or live event and we will reply within one business day with availability and a proposal.
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